Christina Corfield is a British-born multi-disciplinary artist and media scholar and is currently a Visiting Professor of Media Study at the University at Buffalo. Her scholarly and artistic work focuses on media history and the relationships between analog and digital media.

Her work has shown at media festivals, in galleries, universities, and at international conferences. She has had a solo show at Johansson Projects in Oakland, CA and has been part of group shows at the Bluecoat, Liverpool UK, MOCA North Miami, the Exploratorium in San Francisco and Telematic Gallery also in San Francisco, among others. She has also taken part in several residencies, including at the Kala Institute, Berkeley, CA, and Western New York Book Arts Center in Buffalo. Her writing has been published online and in scholarly journals including articles about her creative practice and research in Media Fields Journal, the Journal of Early Visual Media and book chapters on peep boxes in Provenance and Early Cinema published by University of Indiana Press, and experimental historiography in the soon to be published The Aestheticization of History and the Butterfly Effect, released by Vernon Press.

Laura McGough is an arts administrator, curator and art historian. Over the past 30 years she has been employed at arts organizations in the US and Canada in a range of administrative and curatorial positions. During her tenure as video curator at Hallwalls Contemporary Arts Center, McGough coordinated the video screenings and festival programming and managed the organization’s video residency program and cable access television program. As the Program Director at the newly established Washington Project for the Arts/Corcoran, she developed arts programming, including gallery exhibitions, public art projects and a guest curator program.  In her capacity as an Independent Curator and Arts Consultant, McGough has curated film, video, web-based, visual arts and performance events for museums, festivals and arts organizations in US, Canada, Europe and Australia and developed board training, strategic plans and program evaluation for a range of nonprofit organizations. From 2000-2003, she served as the Multidisciplinary and Presenting Specialist at the National Endowment for the Arts where she managed a diverse portfolio that included artist communities, performing arts centers, alternative art centers and technology-based arts projects. More recently, as the Director at The Herter Art Gallery at UMass Amherst, McGough oversaw the presentation of visual arts programming and related events for a campus-wide community. McGough has received funding for curatorial and related research projects from NYSCA, the DC Commission on the Arts, The British, Council, and the Canada Council, and has served as a peer reviewer on numerous state and national grant panels. Laura McGough holds a PhD from the Department of Media Studies at the University at Buffalo and an M.A. from New York University. Born and raised in Jamestown, McGough is a Western New York native.

As always, PLASMA lectures are free and open to the UB community and the public.​

PLASMA is sponsored by the University at Buffalo’s Department of Media Study and funding is provided by the Office of the Dean of the College of Arts and Sciences. The series is taught and organized by Dr. Paige Sarlin, Assistant Professor of Media Study, in collaboration with Sylvie Fortin, UB Art Gallery, Ekrem Serdar, and Squeaky Wheel Film & Media Art Center.

For more information regarding the series or to access an event Zoom link: https://arts-sciences.buffalo.edu/media-study/news-events/plasma.html
The recordings of previous presentations can be found on MediaStudy@UB’s PLASMA YouTube Channel